Pentagon Criticizes Kathryn Bigelow’s Film A House of Dynamite

London, England — The Pentagon has expressed concern over Kathryn Bigelow‘s latest film, A House of Dynamite, which depicts the U.S. missile defense system amidst a nuclear crisis. Released on Netflix after a limited theatrical run, the film captures the intense moments following an incoming nuclear missile threat.

In A House of Dynamite, the narrative unfolds over approximately 18 minutes. The story highlights the chaos and urgency felt by government officials, including the defense secretary, played by Jared Harris, who asserts that current interceptors have only a 50% success rate despite a hefty budget of $50 billion. This claim raises eyebrows within the Missile Defense Agency. An internal memo from the agency, dated October 16 and obtained by Bloomberg, counters that real-world testing shows a much more favorable achievement of 100% accuracy over the past decade.

“While the film illustrates that deterrence can fail, it simplifies our capabilities,” the memo states. The agency questioned the film’s portrayal, suggesting that it may mislead viewers regarding national defense effectiveness.

Bigelow, who made history with The Hurt Locker, stated she did not seek Pentagon consultation to maintain independence in her storytelling. She emphasized that her team included technology advisers with Pentagon experience. “We needed a more independent approach,” Bigelow told CBS.

A House of Dynamite also features Idris Elba as the president of the United States and explores the government’s response to the impending nuclear strike. Critics have offered varied responses; the film currently holds a score of 79% on Rotten Tomatoes. Described as a tense and masterfully crafted thriller, it challenges viewers while weaving in complex themes about war and decision-making in dire situations.

With its critical release on Netflix, A House of Dynamite has garnered attention for its gripping narrative, although responses from the Pentagon add an intriguing layer to its public reception.