The Return of ‘The Day of the Jackal’: A Modern Adaptation for TV

Fred Zinnemann’s 1973 film adaptation of ‘The Day of the Jackal’ remains a revered classic, capturing the intense narrative crafted by Frederick Forsyth. The film depicted the gripping tale of an enigmatic contract killer attempting to assassinate French President Charles de Gaulle, a plot foiled by the tenacious Inspector Claude Lebel. Although initially not a lucrative box office hit, it was critically acclaimed and has stood the test of time.

Now, over 50 years later, ‘The Day of the Jackal’ has been rejuvenated for modern audiences as a 10-part series on Sky, with an impressive lineup including Eddie Redmayne and Lashana Lynch. Developed by Ronan Bennett, known for his work on ‘Top Boy’, and directed by Brian Kirk, this adaptation is keenly positioned not as a mere remake, but as a fresh narrative set in the present day.

The new series features Redmayne as the elusive Jackal, now a modern contract killer proficient in disguises using prosthetics. Lynch, portraying Bianca, is an MI6 agent faced with the professional and personal challenges of hunting him down. The series intricately balances the ethical ambiguity and rich character development noted by producer Chris Hall, highlighting both the villain’s redeeming qualities and the hero’s flaws.

Redmayne’s casting is particularly noteworthy, reminiscent of how Edward Fox was chosen for the original film. Fox, largely unknown at the time, brought a fresh authenticity to his portrayal, a quality Redmayne captures despite his established stardom. “Eddie Redmayne’s knack for embodying dualities makes him perfect for the Jackal,” remarks Bennett, who was initially uncertain of the casting until after witnessing Redmayne’s performance.

Filming took place primarily in Budapest, a location doubling for various European cities, benefiting from both its versatile aesthetics and tax incentives. Much of the filming occurred at Müpa, Budapest’s renowned Palace of the Arts, creating an atmospheric backdrop for the show’s thrilling sequences.

Lashana Lynch’s Bianca offers a nuanced portrayal of a modern woman balancing her work with MI6 and life at home. Her role diverges from the typical portrayal of government agents, showcasing depth often overlooked in such narratives. “Bianca is relatable, struggling just like many,” Lynch explains, expressing her desire to depict a character whose professional and personal worlds intersect compellingly.

Redmayne’s embodiment of the Jackal involved extensive preparation, from sniper training to language coaching, enabled by a dedicated production team. The prosthetic transformations, particularly intricate due to the Jackal’s penchant for disguise, were crucial to the production. “Maintaining authenticity in these transformations was essential,” reflects Redmayne, noting the physical and logistical challenges faced.

As they approach the series premiere, Bennett expresses confidence in the narrative’s quality and the faithful homage it pays to the original work. “The DNA of Forsyth’s tale remains intact, even as it is expanded for a new format,” Bennett asserts. Premiering on November 7 on Sky and streaming service NOW, ‘The Day of the Jackal’ promises to intrigue both ardent fans of the original and new viewers alike.