Richard Gere Reflects on Overlooked Film The Hoax

London, UK – Actor Richard Gere recently discussed his film career, highlighting his appreciation for the 2006 drama The Hoax on The Hollywood Reporter podcast.

The film, directed by Lasse Hallström, is based on the true story of Clifford Irving, a writer who falsely claimed to have co-written an autobiography of enigmatic businessman Howard Hughes. Despite its failure at the box office, earning only a fraction of its budget, Gere argues that The Hoax deserves greater recognition.

“I love that movie,” Gere said during the podcast. “It was a wonderful script and wonderful actors.” The film features a strong ensemble cast, including Alfred Molina, Julie Delpy, and Stanley Tucci, all of whom deliver compelling performances.

Gere attributes the film’s underperformance to Miramax‘s transition to Disney ownership at the time of its release, suggesting that the company ultimately did not prioritize The Hoax. “I think Miramax was being sold to Disney, and Disney didn’t really care about it,” Gere explained.

Despite its lukewarm reception, The Hoax received positive critical acclaim, with reviewers praising its satirical tone and strong performances. Critics noted that it offers a sharp examination of ambition and deceit, elements that resonate with various contemporary issues. Still, the film struggled to find an audience, a fate Gere believes is undeserved.

Richard Gere’s film career spans several decades, with notable works such as Pretty Woman, which solidified his status as a romantic lead. The film, made on a $14 million budget, grossed over $463 million worldwide and remains a beloved classic. However, Gere’s body of work extends far beyond this blockbuster success.

Early in his career, Gere earned attention for roles in films like Looking for Mr. Goodbar (1977), American Gigolo (1980), and An Officer and a Gentleman (1982), each showcasing his versatile acting ability. Later projects included musical theatre with Chicago and significant performances in thrillers like Internal Affairs, Primal Fear, and Arbitrage.

In addition to The Hoax, Gere reflected on other films he feels are overlooked, including the 1993 Civil War mystery Sommersby, the 2014 drama Time Out of Mind, and the 2016 political film Norman. These projects, he believes, showcase the range and depth of his acting skills.

Ultimately, Gere’s reflections serve as a reminder of how films, regardless of their box office success, can leave a lasting impact on the careers of those involved. As he continues to engage with audiences, both old and new, the conversation around his overlooked works may finally gain the attention they deserve.