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Yudhra”: Action-Packed Film Disappoints with Predictable Plot

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The latest Bollywood offering, “Yudhra,” directed by Ravi Udyawar, attempts to deliver an action-packed narrative but falls short in terms of originality and depth. Starring Siddhant Chaturvedi as the titular character, the film revolves around a young man with an unusual origin story. After surviving violence in the womb, Yudhra, orphaned at birth, struggles with anger management issues and finds solace in unlikely companions.

Despite the intriguing setup, the film struggles to maintain its initial promise. Yudhra is raised by his late father’s colleagues, Kartik, played by Gajraj Rao, and Rahman, portrayed by Ram Kapoor. The duo attempts to channel Yudhra’s aggression by recruiting him for a mission to dismantle a dangerous drug cartel. Meanwhile, Yudhra forms a romantic connection with Rahman’s daughter, Nikhat, played by Malavika Mohanan, adding another dimension to his already complex life.

As the story progresses, Siddhant Chaturvedi handles the intense action sequences with finesse, showcasing a sharp and focused demeanor. However, the film falls prey to predictable tropes common in action genres. The narrative lacks freshness, recycling elements like betrayal, a loved one in peril, and a drug mafia, which have become clichés in Bollywood storytelling.

The film’s direction, which is helmed by Ravi Udyawar, known for his work on “Mom” (2017), is overshadowed by a lackluster script penned by Sridhar Raghavan and Akshay Ghildial. The dialogues, written by Farhan Akhtar, fail to invigorate the outdated storyline, which struggles to engage the audience fully. Notably, action sequences remain the film’s highlight, crafted adeptly by action director Federico Cueva, who incorporates unique elements to elevate the visual appeal.

The ensemble cast, including Gajraj Rao and Ram Kapoor, adds gravitas to the film, but the performances are undermined by an anemic storyline. Malavika Mohanan exhibits her capabilities in action scenes but shares limited on-screen chemistry with Chaturvedi. The film’s music, composed by Shankar-Ehsaan-Loy, particularly tracks like “Saathiya” and “Aane De Hawa,” fail to complement the narrative, often interrupting the film’s pacing.

“Yudhra” is currently screening in theatres, inviting viewers to engage with its action sequences even as it struggles to deliver a compelling narrative. The film, while visually impressive in parts, ultimately offers more spectacle than substance, leaving potential untapped.

Rachel Adams

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