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Controversial Film ‘Poor Things’ Divides Audiences with its Unique Take on Female Sexuality

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Controversial Film 'poor Things' Divides Audiences With Its Unique Take On Female Sexuality

A recent film release is causing quite a stir among cinema-goers, with its provocative exploration of female sexuality. ‘Poor Things‘, starring Emma Stone and Mark Ruffalo, has received mixed reviews, particularly for its depiction of a young woman with learning difficulties who embarks on a journey of self-discovery.

While some viewers have praised the performances of Stone and Ruffalo, others have raised concerns about the portrayal of Bella, the central character, who has been described as having an ‘infant’s brain’. The issue of consent in relation to a woman with learning difficulties is a sensitive subject, and many argue that the film fails to address this adequately.

‘Poor Things’ follows Bella as she explores her newfound freedom and sexuality, which quickly leads to a desire for multiple sexual encounters. Some critics have highlighted the film’s perpetuation of the myth of nymphomania and the objectification of women’s bodies for male pleasure.

The film also includes scenes that have been criticized for their degrading and exploitative nature, particularly one involving Bella being bound and gagged. Another scene, shortened due to concerns about the welfare of child actors, depicts a man forcing his young sons to watch him engaging in sexual activity with Bella.

The debate over ‘Poor Things’ extends to whether the film can be considered feminist. Many argue that true feminism challenges patriarchal systems that limit women’s choices, rather than glorifying actions that may perpetuate male exploitation of women.

Despite the controversy, there are those who appreciate the film as a fable-like exploration of sexuality and freedom. It draws inspiration from Alasdair Gray’s novel ‘Poor Things’, which itself is a reimagining of Mary Shelley’s ‘Frankenstein‘.

‘Poor Things’ embraces a vision of female pleasure that is free from guilt or shame, presenting a sexually liberated woman who fulfills her desires without negative consequences. This representation, while not realistic, is seen by some as powerful and empowering.

Critics have also debated whether the film falls into the category of the ‘male gaze’, as it was written by Tony McNamara and directed by Yorgos Lanthimos. However, others argue that Emma Stone’s interpretation of the character of Bella brings depth and agency to the role.

Ultimately, ‘Poor Things’ is a film that challenges societal norms and expectations surrounding female sexuality. It explores the boundaries of consent and freedom, provoking discussion and debate among its audiences.

Rachel Adams

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