Edward Berger’s “Conclave”: A Thrilling Vatican Power Struggle

The film industry has been abuzz with the recent release of “Conclave,” directed by Edward Berger, known for his acclaimed work on “All Quiet on the Western Front.” The narrative follows an intense power struggle within the Vatican, ignited by the death of the Pope, and features a standout performance by Ralph Fiennes.

The plot unfolds as a group of cardinals convene to select the new Pope, locking themselves inside the Vatican. Among them is the ambitious Cardinal Tedesco, portrayed by Sergio Castellitto, who champions traditional Italian values. Opposing him is Cardinal Adeyemi, known for his performances in London’s West End. Delicate negotiations occur with mild-mannered Bellini and compromise candidate Tremblay also in the mix.

Ralph Fiennes stars as Cardinal Lawrence, a central figure who serves as a mediator while harboring potential aspirations of his own. His reserved demeanor and strategic positioning create a narrative tension that captivates audiences. “I would be the Richard Nixon of popes,” a character quips in reference to avoiding the top position, adding a touch of humor to the compelling plot.

The film, based on a novel, cleverly balances Machiavellian strategies and revelations without resorting to common tropes like excessive profanity. Although the premise may appear staid—a group of elderly men indoors debating leadership—the storyline promises engaging twists and turns.

Adding intrigue, actors Isabella Rossellini and Carlos Diehz present memorable performances as a daring nun and an unexpected Mexican cardinal, respectively. Rossellini, in particular, is noted for her flawless execution of the role.

Visually stunning, the film impresses with the camera work of Stéphane Fontaine, using a vivid hyper-focus on the characters’ expressions and expansive reveals of the Vatican’s grandeur. The cardinals, clad in deep red garments, present an awe-inspiring tableau against the historic backdrop.

While some narrative choices might leave the audience guessing, Berger’s “Conclave” triumphs as a cinematic spectacle, due largely to the impressive performances led by Fiennes. His portrayal of Cardinal Lawrence is lauded as possibly his best role to date, capturing internal conflict with a powerful subtlety that rivets the audience.