Luis R. Conriquez Announces Surprising Retirement from Corridos

CIUDAD DE MÉXICO, México — Luis R. Conriquez has shocked fans by announcing his retirement from corridos, a genre that has defined his musical career since rising to fame in 2023. The regional Mexican singer shared the news on his social media platforms, stating that he is entering a new phase of his career.

In a series of Instagram posts, Conriquez wrote, “Entramos a una nueva etapa, mi gente. Sin corridos y todo eso, se siente feo no poder cantar lo que la gente quiere escuchar, pero nos sumamos a la causa de cero corridos y pa’ delante.” He expressed sadness about not being able to perform what his audience desires but reassured them that his loyal supporters will follow him, even if he shifts to other genres such as bachata.

“There are many who don’t understand; they think I’m trying to impose rules. The truth is, there won’t be corridos at any events moving forward,” Conriquez added. He followed up this announcement with confirmation of his upcoming performance at the Feria del Caballo de Texcoco 2025. However, it remains uncertain whether he will perform the corridos that have been key to his identity as an artist.

Known for popularizing corridos tumbados, Conriquez first gained significant attention through collaborations with Peso Pluma and La Adictiva on hits like “JGL” and “Siempre pendientes.” In May 2024, he accompanied boxing champion Canelo Álvarez to the ring with the viral corrido “Martes 13,” further solidifying his status in the industry.

The singer’s recent career pivot may be influenced by ongoing issues with his visa for both tourist and work purposes, as suggested by social media influencer Chamonic. Without approvals for his documentation, Conriquez may be compelled to abandon corridos.

The decision comes amid rising concerns over the subgenres of regional Mexican music, particularly for their controversial themes that can glamorize crime and violence among youth. While narcocorridos are not outright banned in Mexico, certain states are introducing measures to restrict their performance. They include Sinaloa, Baja California, Zacatecas, and Nuevo León.

The reaction among fans to Conriquez’s career shift has been mixed, with some expressing anger during his live performances. In a video shared online, attendees at the Texcoco event appeared frustrated, some even throwing objects at the stage when the singer refrained from performing corridos. In response to escalating tensions, Conriquez tweeted, “Así las cosas por no cantar corridos, plebada,” directly addressing the discontent.

As the conversation around musical themes evolves, the impact on artists like Conriquez highlights a broader cultural discourse. While some fans may struggle with this new direction, others are eager to see how the singer will embrace his next chapter.