Cronenberg Family’s Newest Film ‘Humane’ Explores Dystopian Themes in a Near-Future Setting

In the latest venture from the acclaimed Cronenberg family, Caitlin Cronenberg steps into the director’s chair with her debut film, ‘Humane,’ a departure from the body horror genre that has defined her family’s legacy. Focused on creating a project that reflects her artistic vision, Caitlin embraces a dystopian narrative set in a near-future world on the brink of collapse due to the climate crisis.

‘Humane’ introduces viewers to a unique tale where the United Nations mandates population control measures, forcing countries to make life and death decisions. The film’s plot revolves around a wealthy family’s involvement in this global decree, highlighting the moral complexities and consequences of such drastic actions.

The narrative unfolds as the patriarch, portrayed by Peter Gallagher, gathers his children, including Jay Baruchel and Emily Hampshire of ‘Schitt’s Creek’ fame, for a pivotal dinner that sets off a chain of events with fatal outcomes. The film skillfully weaves together themes of climate change, overpopulation, and the ethical dilemmas surrounding medical assistance in dying (MAiD) in a thought-provoking manner.

Despite the weighty themes, Caitlin Cronenberg does not aim to convey a specific message with ‘Humane’ but rather to present a satirical reflection of a plausible future scenario. Through the performances of Baruchel and Hampshire, who were her top choices for the roles, the film navigates complex social issues with a touch of Canadian talent and flair.

Now screening in theatres across Canada, ‘Humane’ invites audiences to ponder the stark realities of an uncertain future while witnessing the Cronenberg legacy evolve in a fresh direction under Caitlin’s directorial vision.