Ryan Coogler’s ‘Sinners’ Blends Blues and Irish Vampires in Unique Horror Film

LOS ANGELES, CA — Director Ryan Coogler‘s latest film, “Sinners,” explores the intersections of music and horror in a story set in rural Mississippi during the Great Depression. The film features twins Smoke and Stack, played by Michael B. Jordan, who return to their hometown to establish a juke joint for Black musicians. However, their grand opening is unexpectedly interrupted by a trio of Irish vampires, setting the stage for a captivating narrative.

In a recent interview on the Filmmaker Toolkit podcast, Coogler shared his appreciation for Irish folk music, emphasizing its connection to African American culture. He said, “I’m obsessed with Irish folk music, my kids are obsessed with it. I think it’s not known how much crossover there is between African American culture and Irish culture, and how much that stuff is loved in our community.” This blend of cultures plays a pivotal role in the film, particularly through the character of Remmick, the lead vampire, portrayed by Jack O'Connell.

Remmick, described as an empathetic antagonist, uses traditional Irish music to charm his victims, creating a compelling counterpoint to the Delta blues deeply embedded in Smoke and Stack’s juke joint. O’Connell, who had minimal guitar experience prior to filming, worked extensively with Oscar-winning composer Ludwig Göransson to enhance his musical performance. Göransson’s involvement adds authenticity to the film’s soundtrack, which features contributions from real musicians.

Coogler’s vision for Remmick also highlights the character’s historical depth. He explained, “It was important to me that he was old, but also that he came from a time that pre-existed these racial definitions that existed in this place that he showed up in.” This approach gives the vampire a unique perspective on race relations in 1932 Mississippi, allowing for a narrative that examines both historical and mythical elements.

O’Connell expressed his excitement about the role, noting, “It’s amazing how [Coogler] made all them elements work together.” He appreciated the historical significance of Irish music incorporated into Remmick’s character, saying, “It was important for Ryan to attach him to something ancient, something historic.” O’Connell’s enthusiasm for both the music and the narrative showcases how vital these elements are to the storytelling.

The film’s climax unfolds in an epic dance sequence where Remmick and his vampire kin perform an Irish jig, further intertwining musical heritage with the horror genre. Coogler’s direction aims to create a sense of transcendence, melding elements of joy with darker themes.

Now playing in theaters, “Sinners” is receiving praise for its innovative approach to genre conventions, showcasing a blend of horror, music, and cultural commentary. As both a personal and professional pursuit for Coogler, the film exemplifies his and Göransson’s dedication to elevating the narrative through powerful sound and immersive storytelling.