Behind the Scenes of ‘A Slippery Slope’ from USG University

LOS ANGELES, CA – Co-creators Paul W. Downs, Lucia Aniello, and Jen Statsky, along with their team, discussed the complex preparation behind a key scene from Season 4 of their show during a recent USG University virtual panel.

In the spotlight was a memorable moment from Episode 9, titled “A Slippery Slope.” During the panel, Downs recalled a scene where he pretends to bite co-star Julianne Nicholson in a frantic situation. “I never actually made tooth-to-Emmy-winner contact. I did not bite,” he stated, emphasizing the comedic element while admitting the physicality of the scene.

Downs remarked on Nicholson’s commitment, mentioning how she “was really holding onto that bag,” showcasing the thorough preparation that went into the shoot. Despite a humorous setup, the scene’s chaotic nature added challenges, as Downs noted there were “some nicks and cuts” during filming.

Production designer Rob Tokarz shared details on how safety was prioritized. The bar cart used in the scene was altered to prevent injuries. “We had to make sure the bar cart is something safe for her to bump into multiple times,” he explained, detailing how tempered glass was used to ensure safety.

As for the props, Tokarz aimed for realism, ensuring they fit the environment of the dressing room. “It all has to tie together to be realistic,” he added, speaking about how natural elements enhance comedy.

The scene’s physical comedy was carefully scripted, yet it allowed room for improvisation. “There were a lot of opportunities for us to mine moments for physical comedy,” Downs said, highlighting the balance between scripted material and spontaneous creativity.

Aniello, who directed the episode, discussed the importance of rehearsal, stating that physical scenes like this one benefit from practice to maximize humor. “We make the time for more physical scenes like this one,” she noted. This preparation allows the cast to explore unexpected comedic moments, keeping the performances fresh.

Cinematographer Adam Bricker praised the responsiveness of the camera work, capturing the scene’s lively energy. “The camera operators are really in the scene, living in the moment,” he said, describing how the visuals complemented the performances.

Ultimately, the panel provided insight into how meticulous planning and creativity culminate in a scene that resonated humorously with the audience. “Something bad did happen in that dressing room, but at least no one left with teeth marks—or so they say,” Downs joked.

The episode is available for streaming on Max, part of a series of panels celebrating television art in partnership with Universal Studio Group.