IU Sketch Comedy Group Delivers Unique Performances Through Collaboration

BLOOMINGTON, Ind. — The University tWits, Indiana University‘s sketch comedy group, showcases the unique blend of creativity and collaboration in comedic performances. The group’s process begins with the spark of an idea, often derived from casual conversations among friends, leading to the development of elaborate sketches.

IU senior Bonnibel Gawron, a key writer for the group, emphasizes that moments of humor shared among friends can be transformed into full sketches, regardless of how random they may initially seem. “The easiest way to overcome writer’s block is by having oneself, or a friend, ask questions about the skit,” Gawron explained. This technique facilitates character development and drives the narrative forward.

The sketch-writing process involves table reads, where all proposed sketches are performed, followed by group evaluations. Each member anonymously rates the sketches on a scale from one to seven. Senior Adam Longstreth, who manages the ratings through a program dubbed “the Leviathan,” noted that around 20 sketches typically make it into each show, depending on the content and time constraints.

According to Longstreth, the group generally aims for a 55-page script to balance the number of sketches and the allotted performance time. After pitches are collected, the team spends about two days revising and reworking the sketches to enhance cohesion and refine comedic bits.

“We add new bits and tweaks throughout the rehearsal process,” Longstreth said. “They’re always fluid, but by the end of the revision week, they’re about 95% ready.”

During the group’s recent performance on Feb. 28, Longstreth recalled making adjustments on the spot, even changing character voices mid-performance. The group typically performs three to four times each semester, with intense daily rehearsals leading up to the shows.

Memorizing lines and staging can prove challenging, particularly for sketches with complex blocking. Fellow group member Cassie Reader shared her experience with lengthy monologues that can overwhelm actors during preparation. “One person would be talking forever, which is difficult because we only have one week to prepare for the show,” Reader said.

The group also organizes themed performances each spring, which require extensive planning due to the incorporation of recurring characters and tropes. Reader believes that establishing a strong community among performers is vital to delivering successful performances. “There is no great performance without community and trust,” she emphasized.

As the University tWits continue to hone their craft, their commitment to collaboration and creativity marks them as a distinctive presence in IU’s performance landscape.