White Rabbit Red Rabbit” Continues Captivating London Audiences

In London‘s West End, the distinctive play “White Rabbit Red Rabbit” by Iranian playwright Nassim Soleimanpour is continuing to intrigue audiences with its unique format. The 2010 play, performed in over 30 languages, is an ongoing experiment in live theatre where each performance features a different actor encountering the script for the first time. With no rehearsal or prior knowledge of the text, the actors must rely on their instincts.

The venue, which is theatre-in-the-round, provides an intimate setting that enhances the unique dynamic between the performer and the audience. The stage remains minimally set, featuring only two glasses of water, a chair, and a large red envelope from which the script is drawn at the beginning of each show.

During the current Soho run, a series of esteemed performers are participating, including Olly Alexander, Miriam Margolyes, Adjoa Andoh, and Paloma Faith. The format exploits the talents of each performer, who brings unique qualities to the role. Notably, actor Michael Sheen‘s performance has been described as well-suited to the play’s blend of whimsy and fervent urging, drawing an energetic response from the audience.

The play’s narrative structure is described as a collection of rabbit-themed fables that challenge the audience to consider themes like risk, complicity, and obedience. These elements of the text serve as a study of the laws of live theatre, engaging spectators in the unpredictability of a performance without rehearsal. Notably, Soleimanpour’s work is highlighted for its humorous yet thought-provoking nature, often involving significant audience participation.

First written in 2010 in Shiraz, Iran, during a time of political unrest, “White Rabbit Red Rabbit” contains references that resonate differently in today’s world stage. When performed in London’s entertainment quarters, the play is said to skew more towards playfulness while still invoking a contemplation of its deeper meanings.

The play remains an engaging offering in London’s theatre scene, drawing audiences eager to explore its spontaneous and raw theatrical style, and is expected to continue as a compelling draw throughout its ongoing run in October, as noted by theatre reviews and scheduling announcements.