Linklater Unveils Nouvelle Vague at Cannes 2025

CANNES, France — Richard Linklater debuted his latest film, “Nouvelle Vague,” at the 2025 Cannes Film Festival, chronicling the making of Jean-Luc Godard‘s iconic 1960 film “À Bout de Souffle” (Breathless). The film has drawn significant attention for its homage to the French New Wave movement.

Linklater’s production captures the essence of Godard’s groundbreaking style while employing a more traditional narrative approach. Shot in black and white, the film features actors Guillaume Marbeck as Godard, Zoey Deutch as Jean Seberg, and Aubry Dillon as Jean-Paul Belmondo. It aims to recreate the vibrant atmosphere of 1950s Paris during the film’s production.

Critics have noted that while Linklater skillfully references Godard’s cinematic techniques, such as introducing real-life characters with brief portrait shots, he opts for a smoother storytelling style devoid of abrupt jump cuts. This approach evokes a nostalgic feel but raises questions about fidelity to Godard’s disruptive methods. Moments of humor arise, such as Godard’s interactions with his cast and crew, highlighting his infamous reputation for being difficult on set.

Linklater intricately weaves in historical accuracy, showcasing Godard’s struggles with adaptation and creative inspiration, all while dealing with tensions on set. As continuity supervisor Suzon Faye, played by Pauline Belle, reminds Godard of his cavalier approach to filmmaking, audiences witness hints of dissent that presaged revolutions in film grammar.

The film emphasizes Godard’s enduring legacy, painting him as an enigmatic genius striving for recognition amidst colleagues, particularly Francois Truffaut, whose success with “The 400 Blows” often overshadowed him. The meticulous craftsmanship behind Linklater’s project earned it an 11-minute standing ovation at its premiere, signifying the audience’s appreciation.

As viewers emerged from the screening, many expressed renewed admiration for the French New Wave, brought to life through Linklater’s lens. The film is described as both a tribute and a critical exploration of the revolutionary spirit that defined a generation of filmmakers in Paris.