Exploring the Rise of ‘Xanax Music’ Among Gen Z Artists

Brooklyn, NY — A new genre dubbed ‘Xanax music’ is taking over the playlists of Gen Z, with its soothing melodies and relatable lyrics resonating deeply with young listeners. Artists like beabadoobee and Laufey are leading this musical movement, creating tracks that serve as a form of emotional self-soothing for many.

The term ‘Xanax music’ describes music characterized by soft vocals, calming guitar riffs, and lyrics that often dwell on themes of existential contemplation. According to Spotify, beabadoobee’s hit song ‘death bed (coffee for your head)’ has racked up over 1.9 billion streams, illustrating the genre’s widespread appeal. The chorus, which repeats the line, “Don’t stay awake for too long, don’t go to bed,” suggests a state of limbo that many listeners find relatable.

This genre does not claim to solve problems but rather reflects an era where individuals are grappling with their feelings and experiences in a chaotic world. As Lizzy McAlpine, another rising artist, expresses in her music, this soundscape accompanies a need for comfort and escape from rapid societal changes.

Laufey, known for her classical roots and recent pop venture, captures the feeling of self-reflection and vulnerability in her music, particularly in songs like ‘From the Start.’ She vividly depicts moments of introspection, striking a chord with listeners navigating their own emotional landscapes.

While the appeal of Xanax music thrives, it raises questions about artistic range. Both beabadoobee and Laufey have demonstrated their musical versatility through a variety of styles. However, their ventures outside this calm soundscape have struggled to achieve the same level of success, leading to discussions about the expectations placed on artists and the tendency of audiences to gravitate toward comfort.

In the current climate dominated by TikTok trends and fleeting attention spans, Xanax music has adapted to fit short bursts of engagement. It mirrors a generation’s collective experience, shaped by three years of isolation during the pandemic. The repetition and simplicity of these songs invite listeners to engage without feeling overwhelmed.

The challenge remains for these artists as they endeavor to explore deeper subjects without losing their audience. As cyclical listening habits develop, there’s hope for a more expansive understanding of their artistry beyond the confines of Xanax music.