Adaptation of ‘Oedipus Rex’ Receives Mixed Reviews for Modern Political Twist

In a contemporary rendition of the classic Greek tragedy ‘Oedipus Rex‘, director Ivo van Hove has brought to the stage a free adaptation that intertwines ancient themes with modern political narratives. Featuring a cast led by actors Rory Kinnear and Lesley Manville, the production has garnered varied responses for its modernized approach and thematic execution.

The play unfolds in a stark modern setting, with a digital clock ominously counting down to an election result, drawing upon a technique previously used by van Hove in his 2015 adaptation of ‘The Oresteia’. The clock symbolizes both the inevitable political success and impending personal doom of the protagonist, Oedipus, portrayed as a charismatic, politically successful figure bearing resemblance to former president Barack Obama. This dual role aligns with the classic narrative of Oedipus discovering the tragic truth of his lineage.

Lesley Manville and Rory Kinnear portray the central characters, Oedipus and Jocasta, as a vibrant political couple, their performances highlighted by their dynamic on-stage chemistry. Despite the contemporary setting, elements from the original tragedy remain, underscored by dialogues filled with ironic foreshadowing and references to Oedipus’s fate.

One notable update to the cast includes the character of Merope, Oedipus’s ‘mother’, played by June Watson. Her character offers humor with frequent comments on ‘inappropriate behavior’, providing a modern twist to the Greek chorus role.

The adaptation, though praised for some performances, has faced criticism for failing to maintain a consistent grip on its audience. The use of technology such as video footage and the timer, meant to enhance the storytelling, instead felt repetitive of van Hove’s prior works and occasionally diminished the tension intended.

The production’s final scenes, showcasing the unraveling of truth, have been acknowledged for their emotional depth, with Kinnear and Manville’s portrayal of despair and love in a tragic revelation standing as a highlight for critics. However, some reviewers suggest that the complex narrative and modern political parallels may lack the coherence and impact expected by audiences familiar with both the original tale and van Hove’s interpretative prowess.

The play is showing until January 4, inviting theatre enthusiasts to experience its distinctive blend of classic Greek drama with modern-day political allegories.