Intrigue and Drama Unfold in ‘Conclave’ Film Adaptation

The film “Conclave,” based on Robert Harris‘s 2016 thriller, immerses audiences into the secretive and complex process of selecting a new pope. Set primarily in the Sistine Chapel, the narrative reveals the intense and often concealed politicking among cardinals vying for the papal position. The film is screening at the London Film Festival and will be in cinemas starting November 29.

At the center of the drama is Cardinal Thomas Lawrence, portrayed by Ralph Fiennes, who is tasked with organizing the Conclave following the sudden death of the pope. Fiennes’s performance has been described as one of the film’s highlights, delivering a portrayal of Lawrence as a cautious and pragmatic figure, akin to Thomas Cromwell in “Wolf Hall,” but with a more subdued personal ambition.

Lawrence’s favored candidate for the papacy is liberal reformer Cardinal Aldo Bellini, played by Stanley Tucci. Bellini’s progressive views, particularly towards diversity and gay rights, put him at odds with more conservative cardinals, including the ambitious Cardinal Tremblay, portrayed by John Lithgow, and the ultra-conservative Tedesco, played by Sergio Castellitto. Lucian Msamati’s character, Cardinal Adeyemi, adds another layer of complexity with his openly homophobic stance, making the election process fraught with ideological clashes.

Director Edward Berger employs a visually and sonically stylish approach, with a dramatic score by Volker Bertelmann, aiming to heighten the suspense within the confined setting. However, critics have noted this style does not deeply engage with the more pressing issues at hand, resulting in a narrative that, while enjoyable, leaves audiences with little to ponder once the film concludes.

Isabella Rossellini delivers a notable performance as Sister Agnes, adding depth to the film with her limited, but impactful appearances. Her interactions with Fiennes’s Lawrence are particularly highlighted as moments of standout intensity.

The screenplay, crafted by Peter Straughan from Harris’s original work, navigates the murky political waters of the Vatican with several plot twists and turns, keeping viewers engaged. Berger’s direction is noted for allowing the ensemble cast to shine, particularly Fiennes, whose portrayal of Cardinal Lawrence is being recognized as his most complete role since “The Dig.” Discussions among critics suggest potential award season success, particularly for Fiennes.