Behind the Scenes of Apple TV+’s ‘Presumed Innocent’: A Look at the Wardrobe

David E. Kelley is known for his masterful storytelling in television, and his new series, Apple TV+’s Presumed Innocent, is grabbing attention. This eight-part limited series stars Jake Gyllenhaal as Rusty Sabich, a prosecutor in Chicago caught in a web of murder accusations. The show dives deep into themes of lust, ambition, and the pressure on family life as Rusty faces these serious charges.

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What’s particularly interesting is how the costumes play a vital role in communicating the characters’ emotions and backgrounds. Costume designer Johanna Argan has crafted a wardrobe that subtly reflects each character’s psyche. For instance, Rusty’s wardrobe is more than just clothes; it tells his story. From a wholesome family man to a confident prosecutor, the clothing shifts with his character as the plot unfolds.

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When designing Rusty’s look, Argan took inspiration from classic Hollywood, particularly Paul Newman’s style in films like The Verdict. They aimed for a polished appearance that still felt grounded and relatable. The choice of a tailored three-piece Giorgio Armani suit, worn primarily when Rusty is acting as a prosecutor, highlights his confident demeanor.

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Craig Yaitanes, who directed several episodes, wanted other characters, like Mya, to have distinct styles too. Her wardrobe is meant to signify her expensive taste and career prowess, making her stand out in a male-dominated legal world. Argan intentionally incorporated color and texture to show Mya’s sophisticated character.

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In contrast, Barbara, Rusty’s wife, is portrayed as a multidimensional woman navigating a complex life. Her clothing reflects both her strength and vulnerability, showcasing her elegance while dealing with family turmoil. Argan’s careful selections, including a standout chartreuse dress, help emphasize her character’s depth.

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Carolyn, portrayed by Renate Reinsve, presented a unique challenge for Argan. Most of her scenes are flashbacks in Rusty’s mind. Here, the goal was to avoid typical portrayals of a seductive mistress. Instead, Argan chose everyday work clothes that come across as practical yet can transition into more feminine attire during intimate moments, underscoring the complicated dynamics at play.