Stranger Things: The First Shadow Opens on Broadway with Mixed Reviews

NEW YORK – The much-anticipated Broadway play, Stranger Things: The First Shadow, based on the hit Netflix series, officially opened at the Marquis Theatre on April 22, 2025. Directed by Stephen Daldry, the play explores the dark origin story of Henry Creel, who evolves into the series’ villain, Vecna.

For nearly three hours, audiences witness Henry’s tumultuous teenage years in 1959 Hawkins, Indiana. The production aims to captivate fans who have waited for the fifth and final season of Stranger Things, intertwining elements from both the TV series and the stage play.

However, early reactions are mixed. Critics have noted the show feels more like a prolonged promotional piece for the final season rather than a standalone theatrical work. “It seems to prioritize spectacle over substance,” said one reviewer, expressing disappointment at the lack of character development.

The First Shadow, which features a cast including Louis McCartney as Henry and Gabrielle Nevaeh as Patty Newby, combines dramatic effects that promise excitement. Yet, some audience members found the dense narrative confusing, especially without prior knowledge of the series. “If you’re not a fan of Stranger Things, you might struggle to follow,” remarked a theatergoer after the performance.

In addition to the narrative, the play utilizes advanced visuals and technical effects, such as a massive battleship that emerges dramatically on stage, intended to reflect the show’s aesthetic. Despite this, the emphasis on spectacle left some feeling the emotional stakes were diluted.

“This is a complex journey of a boy turning into a monstrous figure,” said playwright Kate Trefry, who has worked on the Netflix series. “We wanted to balance between being a unique story and integrating familiar elements from the show.”

Ticket prices have been critiqued for being high, with many seats going for over $300. While the production has received praise for its ambitious effects and staging, the financial cost raises eyebrows among potential attendees.

As the production continues to run on Broadway, the technical team is expected to adjust elements of the play based on audience reactions and feedback. “We’re always learning from the audience,” said Trefry. “We’re committed to refining the experience.” The show’s fate may hinge on its ability to connect not just with die-hard fans but also with the theater-going public.

Stephen Daldry remarked, “Theater is about storytelling, and we’re hoping to provide a compelling narrative that resonates. The magic is in the audience’s experience.” As the curtain rises on this new adaptation, only time will tell if Stranger Things: The First Shadow will live up to expectations.