SXSW 2025 Closes with Stellar Performances from Rising Stars and Legends

AUSTIN, Texas – The South by Southwest (SXSW) music festival wrapped up its week-long celebration on March 15, 2025, showcasing an array of performances from both emerging artists and established acts. Among the highlights, Charley Crockett and others captivated audiences in unique and intimate settings, marking a memorable conclusion to the festival.

Charley Crockett shared a nostalgic story of his early struggles to sell his self-released CDs during an in-store performance at End of an Ear, where hundreds gathered to witness his evolution from street busker to country star. His latest album, Lonesome Drifter, released just a day earlier on Island Records, marked his debut with a major label after 14 independent releases. As Crockett arrived in an 18-wheeler adorned with promotional art, fans eagerly clutched vinyl copies of his new album, generating an electric atmosphere.

“Someone asked if that’s an old folk song,” Crockett told the crowd before performing “The Death of Bill Bailey,” a murder ballad from the new album. “No, it’s not. I wrote it myself.” The performance was filled with anecdotes from his journey, and he later surprised fans by performing for nearly an hour instead of the expected short set.

As the afternoon sun shone, attendees relaxed at All the Sudden, a DIY arts space several miles from downtown Austin, where Lady Apple Tree took the stage. The California singer-songwriter, also known as Haylie Hostetter, charmed the audience with her acoustic set featuring tracks from her upcoming debut album and a poignant cover of Patsy Cline’s “Sweet Dreams.” Music lovers reclined on the grass, creating a picturesque scene as they listened to this intimate performance.

Meanwhile, back in the city, Wifigawd brought his innovative rap style to the Creek and the Cave. His set, starting around 10:45 p.m., was characterized by playful interactions with the audience and a rhythm that effortlessly blended party vibes with intricate lyricism. “Make some noise if you love your mom,” he prompted, generating cheers from the crowd as he encouraged community spirit.

The excitement of the festival was palpable as Fantasy of a Broken Heart took the stage at the same venue later that night. The dynamic duo, Al Nardo and Bailey Wollowitz, delivered a performance that seamlessly combined elements of art-rock and pop. Their set, propelled by a lively backbeat and off-center guitar riffs, enlivened the audience, putting an invigorating twist on pop music.

No performance proved more engaging than YHWH Nailgun, who left festival-goers guessing with their unpredictable sound. The New York City quartet, who played 13 shows at SXSW, delivered a powerful half-hour set at the Creek and the Cave that saw them weaving through atmospheric instrumentals and frantic beats. “Their aggression is exhilarating, not alienating,” noted an attendee.

At Rivian Park, an outdoor space that hosted the “International Night” stage, Louis Eliot of Rialto brought his evocative songwriting to life. Alone on stage, Eliot’s performance showcased his polished craftsmanship, with melodies that resonated with nostalgia and warmth.

The Courettes, a husband-wife duo from Brazil and Denmark, later electrified the audience with their energetic garage rock infused with rich vocal harmonies. Their retro-inspired sound delighted fans at Empire Control Room, solidifying their spot as a festival favorite.

As SXSW drew to a close, legendary figure Jad Fair took to the intimate Valhalla stage. The lo-fi pioneer, showcasing his decades-long career, shared original songs alongside covers that paid homage to other revered musicians. Fair’s quirky style and dedication to the music left a lasting impression on both old fans and new.

With a variety of performances that transcended genres and generations, SXSW 2025 closed on a high note, leaving attendees eager for the next year’s festival.