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Thankamani Review: Dileep’s Film Disappoints, Fails to Capture Real-Life Tragedy

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Thankamani Review: Dileep's Film Disappoints, Fails To Capture Real Life Tragedy

The much-anticipated film ‘Thankamani’, starring Dileep, Pranitha Subhash, Neeta Pillai, Siddique, Manoj Jayan, and Sudev Nair, has left audiences disappointed as it fails to effectively convey the real-life tragedy it is based on. Directed by Ratheesh Reghunandan, the movie takes inspiration from a tragic incident at Gunaa caves, similar to its predecessor ‘Kunjali Marakkar’.

In the film, police officer Arpita Nath, played by Dileep, is investigating a series of murders and uncovers a connection to the 1986 Thankamani tragedy in Kerala. As the narrative unfolds, the story delves into the past, shedding light on the events that transpired in the village, including severe police brutality.

The central figure in the 1986 storyline is Abel Joshua Mathen, portrayed by Dileep, who returns from Saudi Arabia to Thankamani to reunite with his family. However, amidst reconnecting with his loved ones, a sudden altercation erupts in the village, altering the course of their lives forever.

Director Ratheesh Reghunandan’s attempt to bring a real-life incident to the screen falls short due to a weak script and disjointed storytelling. The blend of tragic events and romantic subplots lacks cohesion, diluting the impact of the core narrative. While the depiction of police atrocities is commendable, the film veers off into a lacklustre revenge drama that fails to resonate with the audience.

Dileep’s transition from his usual comedic roles to an action-oriented character in ‘Thankamani’ does not elevate his performance significantly. Pranitha Subhash and Neeta Pillai, in smaller roles, stand out, with Neeta delivering a noteworthy performance. The supporting cast, however, fails to add substantial value to the narrative.

From a technical standpoint, the music by William Francis and cinematography by Manoj Pillai are noteworthy aspects of the film. However, the overall presentation of the Thankamani tragedy of 1986 lacks the emotional depth and connection expected, leaving viewers wanting more from the promising premise.

Rachel Adams

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