Vicky Vidya Ka Woh Wala Video: A Faltering Attempt at Comedy and Drama

The much-anticipated film “Vicky Vidya Ka Woh Wala Video,” featuring Rajkummar Rao and Triptii Dimri, has garnered mixed reviews upon its release. Set in the late 1990s, the film initially offers a nostalgic journey reminiscent of “Dum Laga Ke Haisha” through its setting and storyline. However, critics have pointed out that the film does not quite achieve the comedic success of Priyadarshan‘s previous works.

The storyline follows newlyweds Vicky, played by Rajkummar Rao, and Vidya, portrayed by Triptii Dimri. The couple records their honeymoon video, intending it for personal viewing, which leads to chaos when the CD goes missing. The plot unfolds with Vicky’s attempts to retrieve the lost CD and the subsequent complications, including being framed for attempted murder.

According to critic Renuka Vyavahare, the film oscillates between slapstick comedy, social commentary, and supernatural elements without achieving clarity or consistency. “Vicky Vidya Ka Woh Wala Video,” therefore, lies at a crossroads, never settling on a defined genre to tell its narrative effectively.

The film’s ensemble cast includes Shehnaaz Gill in a dance number, alongside Vijay Raaz, Mallika Sherawat, and Archana Puran Singh, among others. However, their performances are overshadowed by the film’s inconsistent tone. Rao’s comedic timing and acting prowess are noted, but his performance is hampered by the scattershot nature of the screenplay.

Director Raaj Shaandilyaa’s attempt to merge different genres has resulted in a film that takes radical turns, especially in its latter half, introducing horror elements and trying to weave in social messages inadequately. This led audiences and critics alike to question the film’s direction.

The chemistry between the lead actors, Vicky and Vidya, fails to develop fully, rendering their on-screen dynamic superficial. Similarly, the supporting cast, including veterans like Tiku Talsania and Archana Puran Singh, are underutilized, missing opportunities for comedic or dramatic impact that could have improved the film’s reception.