Controversial Opera ‘Sancta’ by Florentina Holzinger Divides Audiences

The performance of ‘Sancta,’ an opera by Austrian choreographer Florentina Holzinger, has resurfaced controversies in Stuttgart after several theatergoers reportedly required medical attention due to distressing sequences in the show. The avant-garde production, which blends live piercing, unsimulated sexual acts, and extensive use of blood, both staged and real, was met with a mixed reception during its weekend staging at the Stuttgart State Opera.

According to Sebastian Ebling, the opera’s spokesperson, “On Saturday we had eight and on Sunday we had 10 people who had to be looked after by our visitor service.” A doctor was called in to treat severe nausea in three instances, Ebling stated. The challenging performance is not a new territory for Holzinger, who has a reputation for pushing the boundaries of conventional dance theater.

‘Sancta’ marks Holzinger’s first opera endeavor and is inspired by the 1920s expressionist opera ‘Sancta Susanna’ written by Paul Hindemith, which itself was controversial for its depiction of a young nun experiencing sexual awakening. The original opera was once delayed due to protests regarding its content.

In its modern iteration, Holzinger’s version replaces Hindemith’s music with provocative scenes such as naked nuns roller skating on a half-pipe, and depictions of crucifixion—all part of a narrative that interrogates themes of conservative institutions versus contemporary subcultures, including BDSM communities. Holzinger has claimed, “Good technique in dance to me is not just someone who can do a perfect tendu, but also someone who can urinate on cue,” as shared with The Guardian.

The performance’s Vienna debut led to remarks from Austrian bishops, including criticisms labeling the work a “disrespectful caricature of the holy mass.” Despite this, interest from audiences has not waned, with remaining shows in Stuttgart and upcoming performances in Berlin reportedly sold out.

Victor Schoner, Stuttgart State Opera’s artistic director, described the production as “a radical vision of the Holy Mass,” emphasizing the role of art to explore and challenge boundaries. The show’s explicit nature necessitated audience advisories outlining potential triggers such as loud noises and scenes of sexual violence.

‘Sancta’ continues to tour, slated to appear in Berlin’s Volksbühne in November, with its run in Stuttgart scheduled to conclude by the close of October. Observers remain divided, sparking ongoing debate over the necessity and impact of graphic content in modern performance arts.