Daniel Day-Lewis Returns in ‘Anemone,’ but Lacks Substance

NEW YORK, NY — After an eight-year break, acclaimed actor Daniel Day-Lewis has returned to the big screen in the film ‘Anemone,’ marking his first feature since 2017’s ‘Phantom Thread.’ The film, directed by his son Ronan Day-Lewis, premieres at the New York Film Festival on October 3.

‘Anemone’ tells the story of Jem Stoker, played by Sean Bean, who embarks on a quest to find his estranged brother Ray (played by Day-Lewis), who has chosen a life of solitude in the woods. As Jem traverses the forest, his journey unfolds with minimal dialogue, emphasizing silence over conversation.

Jem’s journey reveals the dark backstory of Ray, a former soldier haunted by past traumas. The cinematic visuals crafted by cinematographer Ben Fordesman accentuate the film’s atmospheric settings, capturing the stark beauty of the woodland surroundings. Despite these stunning visuals, the film has been critiqued for its slow pacing and an underdeveloped narrative.

Critics have noted Day-Lewis’ powerful performance, with standout monologues that highlight the emotional depth of his character. However, many feel that the story fails to adequately explore its themes of familial bonds and trauma, resulting in a film that often feels empty.

In particular, Ray’s past as a soldier caught in the Northern Ireland conflict brings up themes that are introduced but never fully explored in the narrative. The character’s complex emotional landscape is compelling, yet the film falls short in providing enough substance for the audience to engage with.

Additionally, the film’s other characters, including Nessa (Samantha Morton) and Brian (Samuel Bottomley), are not fully fleshed out, primarily serving as background figures in Ray’s story. The heavy reliance on Ray’s character often overshadows their arcs and struggles, leaving viewers wanting more from the supporting cast.

While some deem the aesthetic approach of ‘Anemone’ artistically ambitious, the overall consensus is that a more substantial script was needed to elevate the film beyond its lush visuals. The emotional weight expected from the seasoned talents of the Day-Lewis duo does not fully materialize, leaving ‘Anemone’ feeling more like a missed opportunity than a cinematic triumph.

The film fosters hope for future collaborations between Ronan Day-Lewis and his father, but for now, audiences will have to decide if they find enough in ‘Anemone’ to warrant its nearly two-hour runtime.