Dharmendra Responds to Plagiarism Allegations Against ‘Sholay’

Chennai witnessed a storm of controversy after Amit Aryan, a writer known for creating shows like “Yeh Un Dinon Ki Baat Hai” and “Lapataganj,” accused the legendary film writers Salim Khan and Javed Akhtar of plagiarism. Aryan’s comments have generated intense debate, particularly involving the iconic Indian film “Sholay.”

Amit Aryan alleged that “Sholay,” co-written by Salim-Javed, borrowed heavily from the earlier film “Mera Gaon Mera Desh,” directed by Raj Khosla. He specifically highlighted the similarities in characters and plot, pointing out the likeness of the dacoits Jabbar Singh in “Mera Gaon Mera Desh,” played by Vinod Khanna, and Gabbar Singh in “Sholay,” portrayed by Amjad Khan.

Veteran actor Dharmendra, who starred in both films, addressed these claims in a conversation with Zoom. He remarked, “Maine dono filmon mein kaam kiya hai, mujhe toh koi same si baat nazar nahin aaye.” When translated, he expressed that having worked in both films, he did not notice any substantial similarities. “Yes, one film’s villain was Jabbar Singh, and the other’s was Gabbar Singh, but that doesn’t make the films similar,” he humorously added.

Aryan further criticized Salim and Javed, labeling them as “copy-writers” rather than original creators. He asserted that “Sholay” replicated core elements from “Mera Gaon Mera Desh,” including the storyline of a man whose family suffers at the hands of a dacoit’s vengeance.

The debate gained further traction with the release of the documentary “Angry Young Man,” which explores the celebrated careers of Salim Khan and Javed Akhtar. The documentary addresses the duo’s writing legacy, acknowledging influences from international and Hindi films.

While these accusations continue to stir discussions within the entertainment industry, Dharmendra’s dismissal of the similarities offers a contrasting perspective to Amit Aryan’s assertions. “They might be cousins. Who knows!” he quipped, highlighting his disbelief in the accusations.

The controversy over “Sholay” and “Mera Gaon Mera Desh” reflects broader questions about the nature of creativity and inspiration in the film industry, terms often muddled by subjective perspectives and evolving narratives.