Duncan’s New Album “Incwadi Yezono” Captivates with Grit and Lyricism

South African rapper Duncan has once again captured the attention of music enthusiasts with the release of his latest album, “Incwadi Yezono” (Book of Sins). Known for his storytelling prowess and impactful raps, Duncan has presented a project that combines powerful lyricism with a streetwise edge.

The release of “Incwadi Yezono” follows Duncan’s widely discussed diss track targeting fellow rapper Big Zulu. This track, accompanied by a music video, created a buzz across South Africa, serving as a precursor to the album’s debut. According to industry insiders, this diss was a strategic move by Duncan designed to build anticipation for his subsequent musical offering.

“Incwadi Yezono” is an eclectic mix of sounds and rhythms, indicating Duncan’s versatility as an artist. Each track is distinctive, yet collectively they form a cohesive narrative. Opening with “Umthandazo We Africa,” the album delivers a message with conviction and artistic flair. Highlights from the album include “Sesfikile,” a fusion of Kwaito and rap with contributions from Ghetto Child and Juju Bucks. This track recalls the golden age of Kwaito music, evoking the influential sounds of TKZee and Mdu from the late 1990s.

Another notable song is “Mastende,” an energetic track featuring Loki, Just Bheki, and Boni. This collaboration is designed to engage listeners and get them moving. Duncan’s project also showcases an impressive lineup of guest artists, such as Zakwe, Q Twins, Intabayasedubai, Aubrey Qwana, Bongo Riot, Azana, Nana Atta, Nolly M, Fekeza Dlamini, Nhlanhla Mhlongo, DJ Tira, and Abdus. Each artist delivers their own unique contributions, enhancing the album’s appeal and diversity.

Journalists in the entertainment industry have praised “Incwadi Yezono” for being a beautifully crafted piece that demonstrates Duncan’s ability to traverse various musical genres while maintaining his storytelling integrity. Music critics are encouraging listeners to experience the album in its entirety to fully appreciate Duncan’s nuanced artistry.