Broadway’s ‘Just in Time’ Struggles to Capture Bobby Darin’s Legacy

NEW YORK — The new musical “Just in Time,” starring Jonathan Groff, attempts to explore the life of legendary singer Bobby Darin, but fails to present a compelling narrative. The production opened recently at the Circle in the Square Theatre and has garnered mixed reviews.

“Just in Time” is being described as a biographical jukebox musical—a genre that has proliferated in recent years since the success of shows like “Jersey Boys.” However, critics have noted that many recent entries in this genre have not lived up to expectations. In Darin’s case, the show glosses over significant events in his life, which could have provided a richer narrative.

Darin, born in 1936 in Harlem, became famous in the 1950s with hits like “Dream Lover” and “Mack the Knife.” Unfortunately, “Just in Time” focuses primarily on his early years, neglecting his later struggles, including his political aspirations and personal challenges. Critics argue that this omission leaves a hollow portrayal of a complex individual.

In the show, Groff introduces himself before transitioning into the role of Darin, which some find confusing. The set design, inspired by the iconic Copa nightclub, provides an immersive backdrop. However, many feel that it restricts the production’s potential to delve deeper into Darin’s life story.

Despite Groff’s undeniable talent and charisma, his performance has drawn criticism for lacking substance. Critics argue that the character portrayals in the show, including Darin’s relationships with women, appear one-dimensional. This was especially evident in the characterization of Sandra Dee, played by Erika Henningsen, who lacks complexity in her portrayal.

As the show progresses, it suffices to entertain but falters in delivering a profound understanding of Darin’s legacy. Critics point out that the musical often feels like a series of concert performances rather than a cohesive story.

The production concludes with a medley of Darin’s songs. While Groff gives a spirited performance, many audience members leave without a deeper understanding of Darin’s artistry or the elements that made him a significant figure in music history. The show’s failure to fully justify Darin’s relevancy raises questions about the necessity of another jukebox musical focused on a figure who is now somewhat forgotten.

In the end, the sentiment surrounding “Just in Time” reinforces the notion that there may be a growing fatigue with biographical jukebox musicals. As the curtain falls, audiences are left wondering if they should have simply listened to Darin’s original recordings at home instead.