NTR’s “Devara: Part 1” Explores the Legend of a Coastal God

Nine years after the success of SS Rajamouli’s “Baahubali: The Beginning” sparked intrigue and speculation among audiences, a new wave of filmmakers has embraced ambitious storytelling with potential for sequels. Among these is the Telugu film “Devara: Part 1,” directed by Koratala Siva and starring NTR, Janhvi Kapoor, and Saif Ali Khan. The movie has been released in multiple languages to reach a wider audience. Despite its visually captivating scenes and vibrant musical background, the film has left audiences pondering the necessity of a sequel.

Set in a fictional coastal town alongside mountains, the film unfolds a tale rooted in folklore. NTR portrays the enigmatic Devara, revered by local coastal communities. The storyline traces back to 1996 amidst preparations for the Cricket World Cup in India, drawing connections between the legend of Devara, a ruler of the high seas, and complex human emotions like courage and fear.

The film opens with a police officer, played by Ajay, encountering unexpected events underwater, setting the stage for Singappa, a character played by Prakash Raj, to tell Devara’s story. As viewers are introduced to a coastal region inhabited by four clans, the narrative delves into the dynamics of these communities surrounded by the mythical ‘erra samudram’ or red sea.

Unlike traditional narratives of oppressed villages seeking a savior, “Devara: Part 1” examines the extremes of human behavior when devoid of fear. Tensions rise as Devara’s differing views on courage—prioritizing life over violence—clash against those around him, including Bhaira, depicted by Saif Ali Khan. Their operations on the high seas are visualized through an exhilarating ship sequence.

Despite Devara’s moral efforts, the film doesn’t extensively explore the friendship between Devara and Bhaira, leaving room for more depth in their characterization. Supporting performances by actors like Kalaiarasan and Tom Shine Chacko contribute to the tension between the clans, though some characters, such as Janhvi Kapoor’s Thangam, receive minimal development.

A significant segment of the film is dedicated to an Ayudha pooja, a ritual highlighting traditional weapons. This scene resonates thematically, echoing cultural aspects depicted through symbolic props like a fish-shaped knife.

While the technical team, led by cinematographer Rathnavelu and production designer Sabu Cyril, effectively captures the mysterious allure of the coastal landscape, the narrative loses momentum midway. Music by Anirudh Ravichander injects energy with a mix of rock-inspired compositions and traditional rhythms.

NTR brings dual roles to life—first as the sophisticated Devara and later as his less adept son, Vara. His performances anchor the film, attempting to navigate through a weakly constructed storyline. Meanwhile, Saif Ali Khan’s portrayal of Bhaira, although intense, remains underutilized. The film ends with an open query reminiscent of “Baahubali,” but lacks the impactful closure that would solidify its narrative coherence.